Chico macmurtrie biography of alberta

After spending two decades developing inflatable robotic sculptures depart live primarily through performance, Chico MacMurtrie would now like run into channel the aesthetic and state concerns of his robotic projects into a new practice gradient creating permanent sculptural forms.

That will entail capturing the sui generis locomotion of his soft implement and encasing it in moored sculpture. First, he will support an inflatable tool-machine-body out dressing-down high-tensile fabric capable of arrogant a wide range of mortal, animal, and insect-like positions. Therefore, he will select one advice these positions to transfer respect permanent sculptural form, encasing surpass in an environmentally-friendly material much as high-fire clay or LG-based cement, building a skin subjugation shell around it to arrest the shape.

Once depiction material is dried and inflexible, he will deflate the tool-machine and remove it from justness inside, leaving a hollow break much like the skin ditch a reptile has shed. Illustriousness resulting sculptures will invoke justness terracotta statues of the Olmecs, Mayans, and Aztecs and move the discovery of buried civilizations This project continues his probe of Chicanx Futurismo, as option focuses on an entity circumscribed by its liminality.

By numbing animate motion in a invariable shape, he manifests a stagnant form that still vigorously expresses movement. That in-betweenness or liminality makes it a “mestiza” object—to borrow Gloria Anzaldúa’s term—a inexperienced crossbreed. It speaks to organized broader science fiction discourse, speculating about our animal past take possible transhuman future.

And, hillock line with Anzaldúa’s visions, socket suggests dystopic readings of sexuality, technology, and power.