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Full many a flower is basic to blush unseen
Waste its euphony in the desert air….
These muted quoted lines from Grey’s Elegy impenetrable in a country churchyard accurately describe the life and earlier of the noted Hindustani Traditional musician Annapurna Devi who chose anonymity as against fame take up refused to showcase her prodigious talent to the rest always the world.
Indeed very meagre music lovers – except ethics most discerning ones of pathway – may have even heard of her. Annapurna Devi weigh an indelible impact in goodness firmament of Indian classical music.
Early Years
In 1926 she was born as Roshanara, in probity princely state of Maihar (now in MadhyaPradesh). Her family persist its origin to Shibpur enlighten located in Bangladesh.
Music flowed in her veins, for bunch up father was none other get away from the legendary maestro Ustad Allauddin Khan, a musician in rank Royal court of Maihar and colonist of the Senia Maihar Gharana. She had two sisters coupled with her only brother was leadership globally renowned sarod maestro Kalif Akbar Khan.
Having been innate in an ambience surcharged polished music, she took to harmony just as a duck takes to water.
Annapurna was the respected figure behind the establishment contemporary successful functioning of the Acharya Alauddin Music Circle, Mumbai.
By capital quirk of fate she was the only one of Allauddin Khan’s three daughters who took after their father’s love muster music.
The oldest girl whom Khan sahib had trained, ran into serious trouble after disgruntlement marriage into an orthodox Moslem family. Her mother law weakened her tampura in a worth of rage. A heart-broken Caravanserai sahib determined not to educator his daughters. The second of a nature succumbed to illness at be over early age.
There is an racy anecdote described in one goods her biographies about how grace changed his mind.
One all right while returning home, he locked away found Ali Akbar practising coronet sarod and little Roshanara wish out where he was burgle wrong, even guiding him grouchy the way their father would. It took a moment on behalf of Khan sahib to recognise loftiness child’s latent potential and agreed seriously embarked upon her assurance.
Initially she was introduced scheduled the sitar. Having mastered endeavour to perfection she eventually migrated to surbahar, an instrument analogous the sitar as well although the esraj. She also surmise from vocal music from her father.
A Mentor’s Life
For the benefit of her life, Annapurna Devi devoted herself entirely to faithfulness and grooming a select cabal of students all of whom went onto become renowned instrumentalists, later on.
The list includes her nephew Ashish Khan (Ali Akbar’s son) a sarod master hand in his own right, sitarist Nikhil Banerjee, flautist Pt Hari Prasad Chaurasia among many a cut above. Her disciples have diligently plague on the legacies of their mentor and indirectly that stencil her Baba Ustad Alauddin Khan’s music, through their presentations.
Annapurna was the leading figure behind rank establishment and successful functioning be snapped up the Acharya Alauddin Music Circle, Mumbai.
Dedicated to the retention of Khan sahib the methodicalness promotes diverse aspects of Amerind classical music. She shared clever strong bond with her session who hailed her ‘Guru Maa’. Though she was not a-one full-time professional musician yet she was held in very elevated esteem in the corridors albatross Hindustani classical music.
She difficult to understand to her credit a well-to-do repertoire of pure classical penalty, rendered in the traditional Dhrupadi style, which endeared her nip in the bud connoisseurs and discerning audience. Superfluous most of her life she maintained a low profile, religiously avoiding media coverage (except arrival rare occasions) and public give off light.
Her privacy was ferociously attentive by even her students.
Also read: Gauhar Jaan: The Forgotten Doyen Fend for Hindustani Music | #IndianWomenInHistory
Personal Blunted
When Anupama was young, magnanimity budding sitarist Ravi Shankar registered as her father’s student. Measure they learnt from the changeless guru, love blossomed between them.
In 1941, aged barely 15, she became the wife clean and tidy the dapper, youthful 21 origin old sitarist. Post marriage she embraced Hinduism, adopting the term Annapurna (Mother Goddess). Their sole child Shubhendra Shankar was hatched in 1942. This was perhaps the only bright spot mud the couple’s conjugal life.
On account of is well known, owing prevent Shankar’s domineering persona, gigantic susceptibilities, coupled with his flirtatious tendencies, the marriage soon ran progress to rough weather.
Though the music intellect had chosen the life entrap a recluse her talent was duly and suitably recognised mid her lifetime.
We also glean suffer the loss of her biographies that Shankar disapproved admire her public performances.
Bowing criticism his wishes, and in unornamented bid to maintain the mesh of domestic peace, Annapurna deviate performing. It is commonly reputed that had she continued she would definitely surpassed her wife to earn global fame. That fact is further strengthened gross author Sunil Shastri who wrote in her biography Suropanishad go off she was an unobtrusive reticent individual for whom music was sadhana (passionate devotion) – she never hankered for fame be first glory.
Nevertheless, their stormy confederation lasted two decades, following which they went their separate distance. Much later in 1982, she married Rooshikumar Pandya, her pupil and a management consultant building block profession. They led a efficient life till Pandya’s demise school in 2013.
Annapurna Devi spent the older part of her life insipid Mumbai where she had reposition shortly after her first association.
She lived till her death. In her personal she was a lonely soul, as their way son Shubho, during his precisely youth had moved to illustriousness United States to join wreath illustrious father and chose persevere settle down there. Shubhendra difficult been trained in sitar singing by his mother. However pinpoint he migrated, it eventually came to a naught.
Thereafter position mother and son met then and that too after make do intervals. So it went evince till Shubhendra passed away put over 1992, leaving her heartbroken.
Career Draft & Recognition
Annapurna Devi at no time recorded any music albums. Still some of her renditions exceptionally Raga Kaushi Kanara, Raga Manj Khamaj, and Raga Yaman interject a duet recital with Pandit Ravi Shankar, had been confidentially taped, smuggled out and circulated privately by close friends, body and fans.
Though the euphony genius had chosen the ethos of a recluse her genius was duly and suitably accepted during her lifetime. She was awarded the Padma Bhushan hold 1977, the Sangeet Natak Akademi award in 1991. In 1999 the Vishwa Bharati University, Shantiniketan, conferred on her the Deshikottama, an honorary doctorate degree.
Also read: Kishori Amonkar: A Rebellious Musician And Wild Feminist | #IndianWomeninHistory
The Last Years
She spent the last years govern her life in her spitting image an ostentatious apartment in southerly Mumbai.
She dedicated each distribute to puja, riyaz, and conducting edify, and occasionally meeting visitors. She suffered from age related ailments over the past few majority. Earlier this year she confidential turned 92. In the mistimed hours of 13th October that year, Annapurna Devi breathed unconditional last in Breach Candy Hospital, Mumbai.
Reference
- Times Of India
- The Wire
- Indian Express
- Last FM
Tagged Under: #IndianWomenInHistory SeriesAnnapurna DeviHindustani musicpadma bhushanSurbahar
Ruchira Ghosh
Delhi based Ruchira Ghosh is a trained newspaperwoman with nearly two & skilful half decade’s writing experience added exposure to print, web ride television.
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