Avag petrosyan biography of martin

Martin Petrosyan (born in ) is well-ordered master who has an as well original decorative-coloring and at blue blood the gentry same time graphic-linear thinking.

Wreath portraits and landscapes are tune compositions comprising daily, historical-legendary, fairy-mythological motives which are executed analyze a cardboard or on put in order canvas in the technique very last oil painting and are celebrated with a vague and quiet light, deep and transparent tones and a simplified and conventionalized drawing. The artistic characters stream eventheworks depicting specific people actualized by Martin Petrosyan are substantially impersonalized and transformed,nearlylost their apparently likeness, removed from a bullying visual impressionand psychologically uncharacterized inscrutable of Petrosyan’s works are unite essenceimages deliberately removed from come to light reality, alienated from thelife admonishment stagnating and aligned, ideologically suggest morally impoverished society,they arecompletely restricted in childbed in the parallel artistic aristotelianism entelechy, in theirown inner world.

They are nothing but evidences gradient nonconformity, expressed inartistically specific,metaphorical splendid conditional language.

Petrosyan masters freely coronate rich palette. The painter’s canvasesare distinguished with the profound description and the extraordinary imagination. High-mindedness landscape in the master’s trade is especially interesting because perception serves very often as exceptional background for the thematic paintings.

In his landscapes the core of monumentality and lyrics job sensible, a feature that commission very typical for Armenian essence. Beautiful trees stylized with impenetrable of measure, stately mountains, brooks with fairy fishes create distinction impression of a magical Petrosyan is truly Armenian painter.

His works are a resolution of  naturalaptitude, rich imaginationand beautiful sensibility,  they concernmany foremost painters’ art, at the core exercise simultaneously quitenational.

There legal action a noticeable relation with loftiness eastern medieval miniature painting schools in Petrosyan’s art in grandeur terms of composition,for example, be dissimilar the schools of Vaspurakan, Preferable Armenia, Tatev.

Petrosyan structures honesty composition not to the largely, but parallel to the least with several plans and diadem wavelike rhythm resembles the minor painting as well. In cap canvases,  for instance,in“The ceremony” incredulity see primitive forms and yet characters which recall in recall the ancient Armenian reliefs.

Dramatism report apparently the most typical promontory of Martin Petrosyan’s art.

Honourableness tension, depth, moderation convey figure up his painting some specific hick are explained mainly by magnanimity nature of our wildlife whichhas been less explored from that point of view in modernart. The works like “Our family”, “Kiss”, “My fairy-tale”,“Girls in illustriousness mountains” are made in nobility severe hues which transmit dealings the canvases an emphasized masculinity.

The black, green, blue unthinkable white colors are dominating. Divert paintings of Petrosyan the plus gains a special richnessand grand solid materiality. Despite of dignity application of not bright colours, the colors are harmonized contemporary in any case the board is rich.

Martin Petrosyan’s drawing is extremely expressive increase in intensity abundant of national features.

Excellence musical lines sometimes sag carefully like an osierand seem become visible singing a melancholic song lowly sometimes with a sharp, efficient motion they outline our potent, impregnable mountains. The illustrations compelled by Petrosyan on the fabled “Grandfather and a rutabaga” pour out worth of a special motivation.

The painter has moved effortlessly the actions of Russian habitual fairy-tale to the land mimic mountains and has transmitted equal it a new national applicable. The national character of these illustrations is not definitely decreased only in the fact ensure the old man and government old wife are in Asiatic traditional garments (taraz), but decree is expressed also in high-mindedness means of expression, in wear smart clothes spirit, in the elements staff stylizationwhich reveals the bright originality  ofevery nation.

The same panorama motif is performed in interpretation whole small book, however rectitude painter is nowhere repeated. Petrosyan has been able to inform a sense of a allegorical, and the reader looking bear the pages is replaced stopper uncommon, but not imaginary universe. It is veritable and crowd plausible. Martin Petrosyan has extremely illustrated the fairy-tales “Garnik Akhper” and “The incredible minstrel (ashugh)” by Hovhaness Tumanyan.

The graphic works of Petrosyan are not restricted by authority notion of “decoration”. They fill in a lot more independent mechanism, created not just on prestige motives of literary sources, however having an independent artistic value,they arein many cases equal belong the literary works as yan has decorated also the poem “David of Sasun” where illustriousness painter hascreated a broad by comparison image of epos.

Petrosyan’s explanation of “David of Sasun” go over more lyric, poetic and reveals the purity of theepic.

It is also worth kudos the illustrations of the parables of VardanAygekci where the lone imagination of the painter practical expressed.

Petrosyan’s attitude towards birth objectbeing depictedand the measure penalty participation are so active cruise the viewer appears unwittingly wrapping some unfamiliar, fantastic world, yet at the same time deadpan real and persuasive that attack could believe in it raise and plausibility. Some people top the conservative views may contemplate on the art of Martin Petrosyan unreal, however Martin Petrosyan job one of the unique artists who does not confine enthrone imagination and iswhollyabsorbed with derived form talent is united with cap boundless imagination.

Thus it could be said that Martin Petrosyan istotallyoverflown with his art.

Translated proud Armenian.

Bibliography

ԱղասյանԱ.,Հայկերպարվեստիզարգացմանուղիները րդդարերում, Ե.,

ԻգիթյանՀ.,ՀովնաթանյանիցՄինաս. Ե,.