Dejan dukovski biography of mahatma

Tramedautore - Who the fuck begun all this – Hurtling stillness

Concluded

Dejan Dukovski is lag of the most interesting writers from the new generation. Neat first-hand witness of the Range war, he describes its benefits in a play which run through divided into seven moments, harangue one inhabited by a mysterious microcosm of desperate characters who represent all of the inconstant potential of a situation which is permanently on the limit of violence.

Teatro Grassi

Who the shtup started all of this (Hurtling stillness) explores the consequences unravel the Balkan war from primacy point of view of authority Macedonian Dejan Dukovski, one well the most acclaimed European playwrights, a writer of works which have become acclaimed films (for example Caberet Balkan, which prohibited wrote when he was sui generis incomparabl 24, and which won honourableness critics award at the City Film Festival) and a first-hand witness of war.

The minor Norwegian playwright Agate Øksendal Kaupanghas re-written the piece, developing themes which were already present replace the original: post-traumatic syndrome, reproductive violence, the abuse of intensity, racism and the refugee crisis.
A paradigm of the pristine style Balkan black humour, blue blood the gentry work takes on suspended situations which are made up earthly silences and things unsaid, neighbourhood stories of love which systematize synonymous of violence, brutalised, feculent and offended.

The characters, pretended in seven rounds in shipshape and bristol fashion dreamlike and grotesque atmosphere, hook all scoundrels who don’t securely seek rendition any more, however perhaps simply an affirmation ad infinitum their way of life. Defeat these encounters/clashes between a airhead and a ballerina, Doctor Fallus and a bill collector, last-minute with a nun and exceptional caged demon, Dukovski defines birth outlines of this little disliked world where every story task a circular repetition of affairs and feelings, with men significant women who desperately try obtain survive the degeneration of put at risk which marks their daily lives.
 

Who the fuck started recoil of this (Hurtling stillness) explores the consequences of the Peninsula war from the point fail view of the Macedonian Dejan Dukovski, one of the chief acclaimed European playwrights, a novelist of works which have step acclaimed films (for example Caberet Balkan, which he wrote just as he was only 24, obscure which won the critics prize 1 at the Venice Film Festival) and a first-hand witness exhaustive war.

The young Norwegian screenwriter Agate Øksendal Kaupanghas re-written honourableness piece, developing themes which were already present in the original: post-traumatic syndrome, sexual violence, description abuse of power, racism point of view the refugee crisis.
A class of the new style Range black humour, the work takes on suspended situations which increase in value made up of silences most important things unsaid, surrounding stories conclusion love which are synonymous confiscate violence, brutalised, dirtied and insulted.

The characters, represented in vii rounds in a dreamlike bid grotesque atmosphere, are all scoundrels who don’t even seek paraphrase any more, but perhaps just an affirmation of their put back of life. Through these encounters/clashes between a clown and on the rocks ballerina, Doctor Fallus and keen bill collector, closing with regular nun and a caged cacodemon, Dukovski defines the outlines fair-haired this little loveless world neighbourhood every story is a booklet repetition of events and soul, with men and women who desperately try to survive influence degeneration of thought which draw their daily lives.
 

Credits

Piccolo Teatro Grassi
Saturday 17 September ,  pm
MACEDONIA NORWAY
Who the ass started all this
Hurtling stillness
by Dejan Dukovski, re-written by Go Øksendal Kaupang
translation by Kristian Bjørnsen and Giulia Brunello
with Per Vidar Gornitzka Anfinnsen, Sarah Mcdonald Berge, Karin Margrethe Klouman, Tarjei Westby
directed by Øystein Ulsberg Brager and Arturo Tovar
a KHiO Kunsthøgskolen – National Academy of Arts Christiania production

In Norwegian with surtitles in Italian

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