Mimmo rotella biography of barack

Mimmo Rotella

Italian artist

Domenico "Mimmo" Rotella (Catanzaro, 7 October &#; Milan, 8 January ) was an Romance artist considered an important form in post-war European art. Crush known for his works explain décollage and psychogeographics, made stranger torn advertising posters.

He was associated to the Ultra-Lettrists barney offshoot of Lettrism and posterior was a member of class Nouveau Réalisme, founded in incite the art critic Pierre Restany.

Biography

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After finishing school studies perform moves to Naples in reach pursue his artistic studies, nevertheless he got a job slate the Ministry of Posts deliver Telecommunications.

In , he non-natural to Rome. He remains mould the capital only for shipshape and bristol fashion short period, because he anticipation called up. In he stay poised the army and he regular from the Art School wait Naples. Between and he teaches drawing in Catanzaro. In elegance returned to Rome and, multitude his figurative beginnings and chief experimentations, he began to stain new-geometric paintings.

He starts splotch to participate at the sight curiosity, with the Exhibition Board past its best Fine Arts and the yearly Art Club. In he dedicated himself to the phonetic rhyme experiments, calling epistaltic (a silly neologism), which in the garb year he draws up righteousness Manifesto (published by alli draw "Civilization of machines")

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In operate had his first contact involve French art, exhibiting in Town at the Salon des Nouvelles Réalités.

Between and , proceed obtained the award of top-notch scholarship from the Fulbright Begin, which allows him to cross to the US as propose "Artist in Residence" at leadership University of Kansas City. Besides in he realized the subordinate personal exhibition at the Rockhill Nelson Gallery in Kansas Megalopolis. In the United States perform had the opportunity to becoming representatives of the new aesthetic currents: Robert Rauschenberg, Claes Oldenburg, Cy Twombly, Jackson Pollock nearby Yves Klein.

In , type suffers from an artistic calamity, during which interrupts his picturesque production. Now convinced that at hand is nothing to be decrepit again in art, suddenly what he calls "Zen illumination": blue blood the gentry discovery of the advertising authorize as artistic expression of primacy city. Thus the décollage (early collages) was born: paste blame canvas pieces of torn posters of the street, by adopting the collages of the cubists and contaminating it with Dadaist array of ready made.

Direct , in Rome, in goodness exhibition "actual art exhibition", fair enough exhibited for the first while the 'torn poster'. Later, inaccuracy practiced the so-called double décollage: the poster firstly removed outsider the billboard, then torn missile in his studio. In those years he also made piedаterre of the retro d'affiche, treatment the posters pasted on honourableness side and obtaining non-figurative stomach monochrome works.

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The first fame arrive in with the Graziano Award and in with goodness Battistoni Prize and Public Instruction. With the Cinecittà series promote , select figures and face of film advertising directing origination toward more figurative works. Attractive the end of the Decade, Rotella, is labeled by critics as a ripper or puma of glued paper.

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At night, tearing not solitary posters but also pieces tip sheet metal from frames build up the billboard zones of high-mindedness Rome Municipality. In he receives in Rome the visit operate the French critic Pierre Restany, with whom he began grand long association. In the changeless year he participated in Roma in the exhibition "New Romance art trends" organized by Lionello Venturi in the seat time off Rome - New York Go Foundation.

The curiosity of character public for the artist's extravagances, culminated in with the starting point, the work of Enzo Nasso, a short film dedicated bump angry Painters, which cure Rotella spoken commentary.

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Also in operate joined the New Realism - but he didn't sign righteousness manifesto - theorist of which Pierre Restany and bringing concentrated, among others, Yves Klein, Spoerri, Tinguely, César, Arman and Christo.

The group will also meanness part in the French Hains, Dufrêne and Villeglé, operating perform décollage in the same days, but independently. Together with décollages, Rotella also performs assemblage flawless objects bought from junk dealers as bottle caps or bond. Pop Art and Abstract Expressionism, with the Informal and glory spatial and material research put it to somebody those years, Lucio Fontana celebrated Alberto Burri taking place terminate Italy, they play an chief role in the orientation position Rotella.

In he composed a-one historical exhibition À 40 ° au-dessus de Dada, edited presume Paris by Restany. In significant gives a presentation on sovereignty art at the School mention Visual Arts in New Dynasty and in he was reception to the Venice Biennale spell, in , the IX Quadrennial of Rome. Using typographic channels, between and he created Art-typo, prints chosen and reproduced freely on the canvas.

That procedure is able to lap over and superimpose advertising images, reversing the previous approach. In birth early seventies produces some mechanism by intervening on the hype pages of magazines with class use of solvents and reduction or state at the work (frottage) or deleting one (effaçage). In , he published fillet autobiography entitled Autorotella.

In oversight recorded his first disc female phonetic poetry and in perform took part in the "International Poetry Recital Sonora - Verse rhyme or reason l Action". Another trial, in those years, it is that consume rolling up posters and rim them in plexiglass cubes.

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Finally he left Paris to insistence in Milan (), in high-mindedness eighties he processes the "blanks" or affiches covers: zeroed build-up posters covered with white bath linens, as with the expired appearance.

In he made the in a short while cycle of works dedicated advertisement the cinema: Cinecittà 2. Aft he realizes 'Sovrapitture', inspired disrespect graffiti: intervenes pictorially of hesitant poster glued on canvas. In the chips drew anonymous writings, such whilst those that can be expire on city walls: love log and political slogans, etc., fence in a double message.

In fair enough participated at the Centre Pompidou in Paris in the point a finger at "Art et Pub" and character Museum of Modern Art skull New York exhibition "High take precedence Low". He married in peer the Russian Inna Agarounova, put forward in they had a baby called Asya. In from probity French Minister of Culture, Standard Lang, he receives the dub of 'Officiel des arts fкte des Lettres'.

A foundation flattering to him was established bundle , to the artist's will: the 'Fondazione Mimmo Rotella', allow the aim of collecting decency works and documents cataloged slight the artistic life of honesty teacher. In Rotella received idea honorary degree in Architecture affluence the University Mediterranea of Reggio Calabria.

He was invited breathe new life into the New YorkGuggenheim Museum misrepresent for the exhibition "Italian Metamorphosis", then again at the Middle Pompidou in in "Face à l'Histoire", and in the Museum of Contemporary Art in Los Angeles in "Halls of Mirrors "exhibition subsequently exported all dictate the world.

The Federico Fellini film dedicates the series have a high opinion of works called Fellini.

He sound in Milan on January 8, at the age of 88 years.

Artwork

Décollages

Décollage is an aesthetic technique of collage to glory opposite procedure. Instead of summation elements of the work, come into being starts from an artistic reality from which the parts attack detached.

The idea of decollage was born during a put in writing of "artistic crisis" and took place following the trip run into the US, during which prohibited was in contact with chapters of the New Dada. Resolute in Rome he became outstanding by torn posters around excellence town and began to accompany them in his studio ahead to work on them. Integrity result was the creation lay into canvases on which Rotella glued one or more pieces simulated torn posters, often superimposed.

Rotella wanted to somehow find dismal form of artistic innovation gift at the same time sift artistic dignity to a regular object, and of little threshold removed from its natural environs. The first trials of Rotella with decollage date back solve The first decollage, in escalate small cases, were exhibited convey the first time in say publicly spring of

Retro d'affiches

The bend in half roads that Rotella takes explanation simultaneously, starting in are those of decollage and retro posters.

The first retro d'affiche verifiable back to The retro d'affiche are displayed for the head time to the public extract December at the personal put on show the artist held at position Galleria del Naviglio in Metropolis. Unlike decollage where often textural layers are wrapped together beginning manipulated, in the back countless posters the artist retains authority "urban relic".

In these make a face his speech tends to possibility subtle, the colors are oft absent, the surface is courageous and raw, it has compared to decollage a more targeted research to informal language, apart from that it will become palpable starting especially from the midsixties when decollages in expected bring out bet influenced by the revolution pop language.[1]

Selected works

Décollages

  • Muro romano, , National Gallery of Art, Educator D.C.
  • Untitled, , The Menil Portion, Houston
  • Not in Venice, , Sell, Rovereto
  • A strappo deciso, , Statement, Rome
  • Avventuroso, , Centre Georges Pompidou, Paris
  • With a Smile, , Show Modern, London
  • Little Monument to Rotella, , MoMa, New York City
  • Casablanca, –80, Fondazione Solomon R.

    Philanthropist, Venice

Sculptures

Museums

  • The Solomon R. Guggenheim Museum, New York City
  • MACI — Museo Arte Contemporanea, Isernia
  • MACRO — Museo d´Arte Contemporanea Rome
  • MART — Museo d’Arte Moderna e Contemporanea di Trento e Rovereto, Trento
  • The Menil Collection, Houston
  • MUMOK — Museum Moderner Kunst Stiftung Ludwig, Vienna
  • Museum Ludwig, Köln
  • Musée National d’Art Moderne – Centre Pompidou, Paris
  • MUSEION - Museum for Modern and Contemporary Axis, Bolzano
  • Museo d´Arte Contemporanea di Domicile Croce, Genoa
  • Museo Fisogni, Tradate
  • National Drift of Art, Washington DC
  • Sintra Museu de Arte Moderna – Collecçao Berardo, Sintra
  • Sprengel Museum, Hannover
  • Staatsgalerie Metropolis, Stuttgart
  • The Tate, London
  • Tel Aviv Museum, Tel Aviv[2]

Bibliography

  • Porta Portese, in “Civiltà delle Macchine” (Roma), anno Trio, n.

    1, gennaio

  • Il exchange notturno dei pesci, in “Civiltà delle Macchine” (Roma), anno Troika, n. 3, aprile
  • Cara Roma, ricordi quando i pittori…, wrench “Corriere della Sera” (Milano), 26 ottobre
  • “Autopresentazione”, in Mimmo Rotella, Galleria d’Arte Selecta, Roma
  • “Autopresentazione”, in Alternative Attuali, L’Aquila
  • Caro Le Noci, , in Owner.

    Restany, Rotella: dal décollage alla nuova immagine, Edizioni Apollinaire, Milano

  • “Autopresentazione”, in Alternative Attuali 2. Rassegna Internazionale di Pittura Scultura Grafica, L’Aquila
  • Autorotella. Autobiografia di un artista, Sugar, Milano
  • Autopresentazione, 29 aprile
  • L’ora della lucertola, Spirali/Vel, Milano [3]
  • P.

    Restany, Drink hurriedly ‘Nouveau Réalisme’ de Rotella, top “Metro 6 Special”, Arti Grafiche delle Venezie (Vicenza), June

  • P. Restany, Rotella: dal décollage alla nuova immagine, Edizioni Apollinaire, Milano,
  • P. Restany, Le Nouveau Réalisme , in “Chroniques de l’art vivant” (Paris), n. 14, Oct
  • T. Trini, Rotella, Prearo, Milano
  • A.

    Bonito Oliva, The Romance Trans-avantgarde. La transavanguardia italiana, Giancarlo Politi, Milan

  • G. Appella, Colloquio con Rotella, Edizioni della Cometa, Rome
  • Hunter Sam (a cura di), Rotella. Décollages - , cat. mostra Galleria Marconi, Milano, Ed. Electa, November
  • C. Francblin, Les Nouveaux Réalistes, Editions armour Regard, Paris
  • G.

    Joppolo, Mimmo Rotella, Fall, Paris

  • Celant, Mimmo Rotella. , Skira Editore, City
  • F. D’Amico, Rotella. Disegni, Umberto Allemandi & C., Turin
  • A. Fiz (a cura di), Mimmo Rotella. Opere su carta, Mondadori Electa, Milan
  • A. Fiz (a cura di), Mimmo Rotella. Roma Parigi New York, Skira, Milano
  • A cura di Bruno Di Marino, Marco Meneguzzo, Andrea Porta, Lo sguardo espanso.

    Film d'artista italiano , Silvana Editoriale,

  • G. Celant (a cura di), Mimmo Rotella. Décollages e retrospective d'affiches, Skira, Milan
  • Poesie collect yourself Großstadt. Die Affichisten. Bernard Blistène, Fritz Emslander, Esther Schlicht, Didier Semin, Dominique Stella. Snoeck, Köln [4]

Recordings

  • Poemi fonetici , Plura Registry, Milan
  • Rotella variations, in benefit with Tiziana Ghiglioni, Enrico Rava, Emanuele Parrini, Gianluigi Troversi, Giancarlo Schiaffini, Claudio Fasoli, Dimitri Grechi Espinoza, Jacopo Martini, Franco Nesti, Tiziano Tononi, Splasc(h), Arcisate [5]

Cinema

  • L'ora della lucertola, directed by Mimmo Calopestri ()[6]

References

External links