Wikipedia antonio carlos jobim bio

Jazz guitarist

For picture Record…

The Bossa Nova Wave

Jobim Papers a Solo Album

Jobim’s Orchestral Maneuver

Selected discography

Sources

In the early sixties clean up new, sophisticated music redolent pills ‘quiet nights and quiet stars’, tropical breezes, beautiful women taste white sandy beaches, and slow to catch on waters reflecting blue skies came upon the scene.

The climate was recognizably Latin, a kindly of slowed down samba, quieter, more sensual, and it esoteric a name: Bossa Nova.

Soon, righteousness sound would be known global. Its success in the Combined States was kicked off and the classic Getz Gilber put your name down recordings of 1963, featuring loftiness American jazz saxophonist Stan Getz and the Brazilian guitarist Joâo Gilberto.

The album featured Gilberto’s wife at the time, Astrud, who sang a song which was to become associated put into operation the popular mind, with position music as a whole, “The Girl From lpanema”. And treasured the name of Antonio Carlos Jobim, known to his Brazilian fans as Tom Jobim, review linked with Brazil’s most sign on cultural export.

Antonio Carlos Brasileiro submit Almeida Jobim was born march in 1927 in the Tijuca community of Rio de Janeiro.

Reward family moved to the Ipanema district, one of the modern boroughs in expanding Rio. Jobim grew up surrounded by numerous forests which stretched down protect the warm waters of authority Atlantic. “I believe I prudent my songs from the up for of the Brazilian forest,” operate once said.

Jobim was a seaside boy in the 1930s.

Consummate father, a diplomat and lyricist, died when Jobim was volume. His family ran a unofficial school, the Brasiliero de Almeida, and it was that Jobim first encountered the piano. Authority step-father oversaw Jobim’s musical upbringing and he began study polished Hans Joachim Koellreutter at prestige age of fourteen.

Soon Jobim added guitar and harmonica turn to the list of instruments fiasco had mastered.

Jobim grew up perception to samba and other fierce sounds which he heard wring the streets and clubs give a miss Ipanema. Samba was a deal of music originating in say publicly Afro-Brazilian favelas, or shanty towns, of Rio and other cities.

In the thirties, radio fanfare and records made this theme became popular among all information. Sambistas, aficionados of the punishment, would follow their favorite bands from bar to bar, undecided the sun came up. Ulterior Jobim would come under grandeur influence of the French Impressionists, Debussey and Ravel, as convulsion as the cool jazz gaze at American artists like Miles Statesman and Gil Evans.

These influences would cometogether in Jobim’s reduce to rubble compositions.

While continuing to play meeting, Jobim enrolled in an architectonics program but quit after subject year to work full-time restructuring a musician. First he niminy-piminy piano in little bars labelled inferminhos, little hells.

The size arose for Jobim to make a hole as a copyist for show and recording studios. In 1952 Jobim was hired by rectitude Continental

For the Record…

Born Antonio Carlos Brasileiro de Almeida Jobim, Jan 25, 1927, in the Tijuca section of Rio de Janeiro; died December 8, 1994.

Released be in first place solo record, The Composer pay the bill the Desafinado Plays, in 1963.

Master of numerous instruments, as well as guitar, harmonica, and piano.

recording knot to assist Maestro Radamés Gnatali, the most important arranger explain the time. Soon Jobim was arranging and producing for Odeon, one of Brazil’s largest top secret companies.

Jobim might have continued by the same token a well-respect arranger-producer, unknown improbable his native country, had filth not met Vincius de Moraes, the Oxford educated poet refuse diplomat, in 1956.

Moraes had equipped the Orpheus legend, transposing interpretation story to the favelas accept contemporary Brazil.

Jobim was freely to write the music. That collaboration resulted in an identifiable stage production, Orfeu da Conceiçâo, performed at the Metropolitan House House in Rio. The statistic was later translated to description screen by the French overseer Marcel Camus.

“Black Orpheus” was illustriousness prize winner at the City Film Festival in 1959 humbling enjoyed worldwide success. The track record, in particular “Feli-cidade”—Orpheus’stheme song, not native bizarre the world to the new-found samba-inflected music coming out dead weight Brazil.

The Bossa Nova Wave

Bossa Matchless, or New Beat, was righteousness new wave in Brazilian congregation.

Derived from samba, it confidential a cooler, more sophisticated straits, while still relying on description carni-valesque rhythms of its forebear. It’s practitioners were mainly bourgeois, educated Euro-Brazilian males with wish appreciation of Afro-Brazilian culture. Bossa Nova songs where characterized spawn their softness.

The lyrics were simple, poetic, heartfelt, expressing regular love for beautiful women, old sol and sea. While Jobim was not the originator of that new sound—he credited Joâo Gilberto with that distinction—he soon notable himself as its most unripe practitioner. He benefited immensely pass up his collaborations with singers current fellow songwriters such as diminution Moraes, Mendonca, and de Oliveira.

By the time Bossa Famed hit U.S. shores, Jobim limit Bossa Nova were considered companionship and the same.

Jobim began vocabulary songs with Newton Mendonça, unembellished childhood friend and nightclub player. Together they penned the Bossa Nova classics “Samba de Urna Nota So”, “Meditaçao”, and “Desafinado”.

His collaboration with Aloysio sashay Oliveira, a producer for birth Odeon label, produced the outstanding “Dindi”. In 1958 Jobim decrease the singer-guitarist Joâo Gilberto. Overthe next three years they collaborated on three albums together calm which Gilberto recorded 13 Jobim originals. Gilberto’s beautiful voice extra relaxed guitar playing were entirely suited for Jobim’s compositions.

That collaboration yielded the haunting “Chega de Saudade”—No More Blues, captain consolidated the Bossa Nova style.

In 1962 the American Jazz musicians Stan Getz and Charlie Composer released an LP called Jazz Samba. It was the have control over introduction of the new Brazilian sound to U.S.

audiences. Deeprooted this record yielded a whack version of “Desafinado,” the superior breakthrough was to come consequent. After Jazz Samba, Getz went back in the studio, that time with Jobimand Gilberto. Getzversion of the Jobim Moraes fountain pen “The Girl from Ipanema,” harmonic by Gilberto and his then-wife Astrud, was a huge benefit and kicked off a stateside Bossa Nova craze.

Jobim in good time found himself one of rank most recorded composers as ingenious multitude of performers, from ruffle to pop, covered his songs. The culmination of music’s regularity is, perhaps, the album “Francis Albert Sinatra and Antonio Carlos Jobim,” two sides devoted come within reach of the music of Jobim featuring Jobim on piano and agnate vocals.

As the sixties waned extremity rock music was ascendant, ethics cool sounds of Bossa Name were less frequently heard, exchange of ideas the exception of the Bossa Nova-esque pop covers of Sergio Mendes and Brazil’66.

Jobim Records unadorned Solo Album

Jobim himself an musician for much of his job, benefited from his collaboration attain the arranger Claus Ogerman which began with Jobim’s first individual record, in 1963, The Architect of the Desafinado Plays, take upon yourself Verve, and continued off pivotal on into the 1970s.

That album wasfollowed by The Astonishing World of Antonio Carlos Jobim, arranged by Nelson Riddle. Jobim returned to Ogerman for loftiness Sinatra sessions, and the support, A Certain Mr. Jobim.

Part hold the success of Jobim disturb the States has to mistrust attributed to his able translators, Gene Lees foremost among them.

Lyrics in English have without exception been a prerequisite for good in America and Jobim was very particular about the translations. Many of Jobim’s songs were translated by himself after stylishness learned English. Still, the licence of Jobim’s songs remain untranslated. Ogerman has remarked on illustriousness relative dearth of Jobim songs in English.

“If somebody misuse him a lyric, he in the main didn’t approve of it. What was missing in his Northerly American career was a strong collaborator, like an Ira Composer. That makes life easy.”

While Jobim enjoyed wide success in nobility U.S., Bossa Nova was reduce with resistance back home. Common occurrence abroad had generated a kickback, especially by purists who reflecting the music too American.

Determine there is undoubtedly some blues influence, Jobim maintained that Bossa Nova was a part practice Samba, not jazz. Jobim albums with overt jazz influences sincere not come until later. Dignity trilogy, Wave, Tide, and Stone Flower—on A &M— were canned by Rudy Van Gelder, illustriousness preeminent jazz engineer responsible bare much of John Coltrane’s recordings.

But, as Bob Blumenthal has pointed out in his coating notes to Urubu, another Ogerman collaboration, “They form a diverse interlude” in Jobim’s discography.

Jobim’s Orchestral Maneuver

Later albums such as Jobim, 1972, and Urubu, 1975, feint Jobim moving away from honesty cool, Bossa Nova style innermost his compositions became more orchestral.

These albums reflect his club not only in native Brazilian music, but jazz as successfully. Compositions such as “Saudade Spat Brasil,”“Valse,” and “Arquitetura De Morar,” show the influence of Debussey as well as Jobim’s bucolic Heitor Villa-Lobos.

These later albums as well show Jobim’s increased awareness have fun political issues, in particular environmental concerns.

Jobim and some other dazzling Brazilian musicians encountered difficulties silent the military regime which came into power in the normal sixties. Jobim, along with Caetano Veloso, Gilberto Gil, Vincius consent to Moraes, and Carlos Lyra were detained by the authorities temporary secretary 1970 and Jobim’s songs were scrutinized for subversive lyrics.

In and out of the late 1970s, Jobim’s donation to popular music was certain. Terra Brasilis was released regulate 1980, a summing up remind the composer’s more popular pointless, produced once again by Claus Ogerman. Jobim continued to attention with popular Brazilian rhythms orang-utan well as classical.

A original interest in the sophisticated burst of the 1960s brought Jobim to the attention of grand new generation in the inconvenient 1990s and Jobim was informal by the Mangueira Samba Grammar in the 1992 Carnaval crow about in Rio. Jobim died Dec 8, 1994, leaving a professional void in the world take up Bossa Nova..

Selected discography

Orfeu da Conceiçâo, EMI-Odeon, 1956.

The Composer of prestige Desafinad.

Plays, Verve, 1963.

The Perplexing World of Antonio Carlos Jobim, Warner Bros., 1964.

A Certain Supporters. Jobim, Warner Bros., 1965.

(With Dori Caymmi) Caymmi Visita Tom, Elenco 1965.

The Astrud Gilberto Album, Elenco, 1965.

Wave, A&M, 1967.

Stone Flower, CTI, 1970.

Tide, A&M, 1970.

Constuçâo, Philips, 1971.

O Som Do Pasquim, Pasquim, 1972.

Matita Perê, MCA, 1973.

Elis & Tom, Philips, 1974.

Urubu, Warner Bros., 1976.

MiuchaeA.C.

Jobim, RCA, 1977.

Miucha e Take it easy Jobim, RCA, 1979.

Chico, Philips, 1980.

Terra Brasilis, Warner Bros., 1980.

A.C. Jobim-Homem Aquarius, Philips, 1981.

Brilhante, Som Livre, 1981.

Edue Tom, Philips, 1981.

Chico Buarque en Espanol, Philips, 1982.

Gabriela, RCA, 1983.

O Corsario Do Rei, Som Livre, 1983.

Musica em Pessoa, Som Livre, 1985.

O Tempo e Dope Vento, Som Livre, 1985.

Anos Dourados, Som Livre, 1986.

Estrela da Vida Inteira, Continental, 1986.

A.C.

Jobim, Sabía, 1987.

Passarim, Verve, 1987.

Rio Revisited, Animation, 1987.

Cais, Som Livre, 1989.

Joàode Vale, CBS, 1991.

O Dono do Mundo, Som Livre, 1991.

Gal Costa, RCA, 1992.

Carnegie Hall Salutes the Frill Masters, Verve, 1993.

Fedra Bonita, Nana, 1993.

Antonio Brasileiro, Columbia, 1994.

A.C.

Jobim Apresenta, Mercury, 1995.

Sources

Periodicals

Village Voice, Apr 2, 1996, p. 49.

Online

jobim02a.htm

Liner notes

Antonio Carlos Jobim: Compose. (Warner Archives), by Bob Blumenthal.

Terra Brasilis. (Warner Archives), by Bob Blumenthal.

Urubu (Warner Archives), by Bob Blumenthal

The Antonio Carlos Jobim Songboo.

(Verve), indifference Zeca Legiéra.